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By Leah Knight

considering the textual gardens, poetic garlands, and epigrammatic groves which dot the panorama of early smooth English print, Leah Knight exposes and analyzes the shut configuration of vegetation and writing within the interval. She argues that the early smooth cultures and cultivation of crops and books trusted one another in traditionally particular and novel ways in which yielded a large quantity of linguistic, conceptual, metaphorical, and fabric intersections. reading either poetic and botanical texts, in addition to the poetics of botanical texts, this examine makes a speciality of the 2 impressive English botanical writers of the 16th century, William Turner and John Gerard, to indicate the unforeseen old courting among literature and technology within the early glossy style of the natural. In-depth readings in their paintings are positioned amid chapters that determine the wider context for the interpenetration of crops and writing within the period's cultural practices with a purpose to light up a fancy interaction among fabrics and discourses infrequently thought of in tandem today.

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