Download Disidentifications: Queers of Color and the Performance of by José Esteban Muñoz PDF

By José Esteban Muñoz

There is extra to id than settling on with one’s tradition or status solidly opposed to it. José Esteban Muñoz appears to be like at how these outdoors the racial and sexual mainstream negotiate majority culture—not through aligning themselves with or opposed to exclusionary works yet relatively via reworking those works for his or her personal cultural reasons. Muñoz calls this approach “disidentification,” and during a research of its workings, he develops a brand new standpoint on minority functionality, survival, and activism.

Disidentifications can also be whatever of a functionality in its personal correct, an try to model a queer international through engaged on, with, and opposed to dominant ideology. by means of interpreting the method of id within the paintings of filmmakers, functionality artists, ethnographers, Cuban choteo, kinds of homosexual male mass tradition (such as pornography), museums, paintings images, camp and drag, and tv, Muñoz repeatedly issues to the intersecting and short-circuiting of identities and wishes that consequence from misalignments with the cultural and ideological mainstream in modern city America.

Muñoz calls consciousness to the world-making homes present in performances through queers of color—in Carmelita Tropicana’s “Camp/Choteo” variety politics, Marga Gomez’s performances of queer youth, Vaginal Creme Davis’s “Terrorist Drag,” Isaac Julien’s serious melancholia, Jean-Michel Basquiat’s disidentification with Andy Warhol and pa artwork, Felix Gonzalez-Torres’s performances of “disidentity,” and the political functionality of Pedro Zamora, someone with AIDS, in the another way synthetic atmosphere of the MTV serialThe genuine World.


 

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